Journalism

Upcoming classes: Journalism


Mark Wallace

 

 

TUESDAYS, OCTOBER 29; NOVEMBER 5-19 | No matter how compelling the characters, dialogue, or action, great scenes need a sense of place that all too often gets short shrift. And when your subject is a place itself, the task is only more demanding. It’s easy to fall back on list-making when writing about place, and that’s a tool that can be used to great effect, but there are so many more approaches to be explored.

We’ll dive into great writing about place, and will look at—and utilize—specific techniques great writers use to capture the world around them. We’ll focus on writing about the real world, but will look at genres from essay to fiction, poetry, science fiction, and more. The class will emphasize writing that takes a specific place as its primary subject, but will also look at place as a way to set a scene in which some other element is of primary importance.

We’ll explore the use of place by writers like Joan Didion, Richard Powers, Annie Proulx, Iain Sinclair, and William Least Heat-Moon (among others), and engage in brief writing exercises in each session. We’ll also visit (virtually) with one of editors and/or writers from The Common (thecommononline.org), Amherst College’s literary magazine devoted to “our individual and collective sense of place.”

A freelance writer in San Francisco, Mark Wallace has reported from all over the world, writing for publications from The New York Times Magazine to The New Yorker, Wired, Salon, the Los Angeles Review of Books, The Sigh Press Literary Journal, the Philadelphia Independent, and many others.

Number of sessions: 4

Contact: markwallace@boyreporter.com

Time: 5:45 pm – 7:45 pm

Dates: Tuesdays, October 29; November 5, 12, 19

Course fee: $249


Rachel Howard

Rachel Howard

 

 

SATURDAY, NOVEMBER 2 | “Flat” writing hands off lifeless information in a two-dimensional exchange between reader and writer. Three-dimensional writing places the reader in a charged space of heightened experience, renewed perspective, and active meaning-making. How is that three-dimensionality created, and what do you do when you find your language stuck in 2-D? This combination lecture and workshop for writers of fiction and literary nonfiction examines specific strategies for three-dimensionality drawn from contemporary writers like Sheila Heti, Jo Ann Beard, and Maggie Nelson, and classics by Marguerite Duras and Bruno Schulz. We will try out new techniques and tricks—but ultimately what you will achieve is a shift in consciousness that will help make your writing spacious and transporting.

Rachel Howard is the author of a novel, The Risk of Us, and a memoir about her father’s unsolved murder, The Lost Night, described as “enthralling” by the New York Times. Her fiction and nonfiction have appeared in Zyzzyva, Gulf Coast, Waxwing, the Hudson Review, the Arroyo Literary ReviewTheNewYorker.com, and the New York Times Magazine. This lecture/workshop is adapted from the craft talk she delivered as Distinguished Visiting Writer in the M.F.A. Program of St. Mary’s College of California. More on Rachel at www.rachelhoward.com

Number of sessions: 1

Contact: rachel.howard@gmail.com

Time: 9:30 am – 1:00 pm

Date: Saturday, November 2

Course fee: $95


Laura Fraser

 

 

THURSDAYS, NOVEMBER 7-21 |Whether you’ve always dreamed of writing professionally, you already do, or you’d like to figure out how to create better content for your job or business, this class will improve your writing in three weeks – guaranteed!

The first week, we’ll start off with Story and Structure. This will help you start the writing process: from getting over writers’ block, understanding your audience and purpose, doing research, brainstorming, and creating an outline so that your writing is engaging, logical, smooth, and satisfying to the reader. We’ll also remind you of stuff you should’ve learned in high school but may have forgotten: how to avoid the dreaded passive voice, weak verbs, excess verbiage, and a corporate or academic tone.

The second week, we’ll dive in to Revisions and Style. That will help you cast a critical eye on your creative efforts to become a clearer, more compelling writer. We’ll cover ways to cut clutter and make your writing sparkle. We’ll talk about the basics of good narrative and do a few writing exercises so that you will have hands-on experience revising your work as well as editing others’ pieces.

You’ll bring in a short piece you’ve written to the third class, Workshopping, so we can help you revise it. At the end of the three weeks we’ll toast our success as better writers. You’ll leave with that great feeling: Hey, I can write!

Laura Fraser is a New York Times-bestselling author of three books who has worked as a freelance journalist since she graduated from college. She has written hundreds of articles for national publications, including at The New York TimesGourmet, Sunset, San Francisco MagazineO: the Oprah Magazine, and many others. She has taught writing at universities and writing conferences, as well as at the Grotto, for over 20 years. She conducts workshops internationally in writing and digital storytelling for corporations and non-profits to help people everywhere be better writers. She’s also the niece and mentee of the late William Zinsser, author of On Writing Well.

Number of sessions: 3

Contact: laura@laurafraser.com

Time: 6:00 pm – 8:30 pm

Date: Thursdays, November 7, 14, 21

Course fee: $200


Maw Shein Win

Susan Ito

 

 

 

SUNDAY, NOVEMBER 17 |

In this interactive, one-day workshop, we will collaborate on producing a zine together. Instructors Susan Ito and Maw Shein Win will introduce a host of collaborative writing exercises to ignite your imagination and push your creative practice to new places. We will share inventive strategies to generate fresh ideas and inspire your writing through working and playing together. You will learn how to physically construct your own zine that includes work from the whole group.

At the end of the workshop, you will leave with a unique collaborative zine of words and images as well as an invaluable list of resources and exercises to keep you moving forward in your writing and creative life. This lively and engaging workshop is excellent for both poets and prose writers who have an interest in collaborative writing. Beginners are welcomed, as well as experienced poets, writers and artists who are looking to stretch their creative boundaries.

Light snacks and beverages provided. Bring a notebook.

Maw Shein Win is a poet, editor, and educator who lives and works in the Bay Area. Her writing has appeared in various journals and anthologies, including Poetry International, Poets and WritersCimarron Review, Fanzine, and others. She is a member of the The Writers’ Grotto, and her poetry chapbook Score and Bone is on Nomadic Press (2016). Her collection Invisible Gifts: Poems was published by Manic D Press in 2018. Maw is the first poet laureate of El Cerrito (2016 – 2018), and her forthcoming full-length collection will be published by Omnidawn in 2020. She is a 2019 Visiting Scholar in the English Department at UC Berkeley.

Susan Ito is author of The Mouse Room. She co-edited the anthology A Ghost At Heart’s Edge: Stories & Poems of Adoption. She has been a columnist and editor at Literary Mama, and her work has appeared in Growing Up Asian American, Choice, Hip Mama, Catapult, The Bellevue Literary Review, Making More Waves and elsewhere.  She has performed her solo show, The Ice Cream Gene, around the United States. She writes and teaches at the Writers’ Grotto, at Bay Path University and Mills College.

Number of sessions: 1

Contact: elcerritopoet@gmail.com

Time: 11:00 am – 3:00 pm

Date: Sunday, November 17

Course fee: $100

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