Journalism

Upcoming classes: Journalism


Paul Drexler

 

 

 

MONDAYS, JANUARY 21 —FEBRUARY 11  |  This class is for writers who are ready to write engaging true crime stories. It is an active learning class, designed to help you to complete a short form (600 -1500 words) crime story. You should come to the first class with a specific story outline or a work in progress. Students will be expected to read each others’ work before each class. We’ll consider the ethics, point of view and legal issues in writing true crime. We’ll work on selecting a story, creating a compelling first paragraph, researching skills, interviewing techniques, trial reporting, and story structure, development, and conclusion.

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Mark Wallace

Alissa Greenberg

 

 

 

TUESDAYS, JANUARY  22 — FEBRUARY 5  |  For a freelance journalist, essayist, or nonfiction writer, a good pitch letter can not only generate work but open doors, build new relationships, or kickstart a career. But crafting the best pitch, targeting it to the right publication, and getting it in front of the right person isn’t always simple.

In this class, you’ll gain new insights into what editors are looking for and why—as well as all the reasons they don’t want to assign you that story—and learn new ways to make your pitch letters as compelling as possible.

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Lindsey Crittenden

 

 

 

MONDAYS, FEBRUARY 4 —MARCH  11  | Need some structure and community to keep writing?  If you’re looking to generate pages and gain insight into your project – whether fiction, memoir, personal essay, narrative nonfiction, or some combination thereof – set aside five Monday evenings this winter. You’ll find a supportive community designed to foster productivity and good writing habits.  We’ll address specific craft issues as they come up, and I will be available for meeting one-on-one. You’ll have the opportunity to meet in small groups for feedback (with specific guidance), if you choose. Homework assignments are designed to help you meet your goals, wherever you may be in the process.

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Mark Wallace

 

 

 

TUESDAYS, FEBRUARY 26 — MARCH 12  |  No matter how compelling the characters, dialogue, or action, great scenes need a sense of place that all too often gets short shrift. And when your subject is a place itself, the task is only more demanding. It’s easy to fall back on list-making when writing about place, and that’s a tool that can be used to great effect, but there are so many more approaches to be explored.

We’ll dive into some great writing about place, and will look at specific techniques great writers use to capture the world around them, focusing on writing about the real world, but looking at fiction as well.

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