Fiction

Upcoming classes: Fiction


Constance Hale

Constance Hale

 

 

 

SATURDAY, JULY 29  |  Six hours, 60 bucks, free bagels, buckets of grammar.  How can you resist? Grotto member Connie Hale will lead you through a series of hilarious exercises to perk up your writing in surprising ways. (We’ll use Sin and Syntax as our guide, but dip also into Vex, Hex, Smash, Smooch.) Writers will stretch new muscles, disabuse themselves of bad habits, and duke it out in a war of words. We’ll also talk about how to cultivate that most elusive of literary elements: the writer’s voice. This 1-day session is perfect for writers of fiction, nonfiction, and memoir who want to take their prose to the next level.

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Lindsey Crittenden

 

 

 

SATURDAYS, JULY 29—AUGUST 26 | This class is designed as a follow-up to Work in Progress Workshop. It is limited to students who have already taken the Work in Progress Workshop (or will have done so by end of July). Please do not sign up if you haven’t completed Work in Progress by the end of July, or if you haven’t written me to make sure this is a good fit for you. If you are looking to generate pages, my first class is the one for you.

This class focuses exclusively on the exchange and reading of your fiction or narrative nonfiction.

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Rachel Howard

 

 

 

SUNDAY, AUGUST 20  |  In an eye-opening craft essay, the poet Tony Hoagland identifies three “power centers” that poets work from: Image, Diction, and Rhetoric. Hoagland’s essay may be pitched to poets, but getting in touch with these “power centers” can be ransformative for prose writers, too. In this short but substantive one-day class for memoirists, essayists, and fiction writers, we’ll closely read and thoroughly digest Hoagland’s article, then apply it to the widely-loved Annie Dillard essay, “Living Like Weasels.” Examining your own work, you’ll consider whether your writing is currently strongest in Image, Diction, or Rhetoric.

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