Journalism

Upcoming classes: Journalism


Julia Scheeres

 

 

 

SUNDAY, FEBRUARY 26  | The beauty of nonfiction books is that they can frequently be sold on the basis of a 40- to 60-page proposal. What is a proposal? Essentially, it is a business plan for a book – a document that outlines your book’s basic premise, provides data indicating that there’s a sizable audience for it, and otherwise convinces a publisher to give you money to write it. Memoirs, narrative journalism, business books, histories, and biographies can all be sold on proposal.

In this seminar, students will learn the seven components of a book proposal, study examples of successful proposals, and get the lowdown on the publishing industry – including the best way to find an agent.

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Rachel Howard

 

 

 

SUNDAY, MARCH 12  |  “Flat” writing hands off lifeless information in a two-dimensional exchange between reader and writer.  Three-dimensional writing places the reader in a charged space of heightened experience, renewed perspective, and active meaning-making.  How is that three-dimensionality created, and what do you do when you find your language stuck in 2-D?  This combination lecture and workshop for writers of fiction and literary nonfiction examines specific strategies for three-dimensionality drawn from contemporary writers like Sheila Heti, Jo Ann Beard, and Maggie Nelson, and classics by Marguerite Duras and Bruno Schulz. We will try out new techniques and tricks—but ultimately what you will achieve is a shift in consciousness that will help make your writing spacious and transporting.

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Faith Adiele

Faith Adiele

 

 

 

SUNDAYS, MARCH 12 & 19  |  We all travel, every day. Be it moving back and forth between language and culture; embarking on roots journeys or road trips; living as an expat or multicultural family member; being a nomad; climbing from working to middle class; recalling our
family’s escape/exile/emigration/immigration; leaving home or dropping out of college; setting out on pilgrimages or spiritual quests; going abroad
to study/research/witness/do reportage/volunteer; walking the road to recovery every day.

How do we turn these (internal) cultural encounters or (external) physical journeys into gripping stories with deeper (social, spiritual, cultural, historical, political) meaning, stories that capture a particular culture and era and move readers?

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Anisse Gross

 

 

 

SATURDAY, MARCH 18  |  Breaking into the world of freelance writing can seem mysterious and downright impossible at the outset. How will you make enough money? If you currently have a job, how do you transition into full-time freelancing? When can you take the plunge? Where will you find clients? How will you successfully pitch to publications, especially if you don’t have a portfolio?

It took me several years of pitfalls, wrong turns, financial struggling, over-caffeinated meltdowns, and learning on the job to successfully make it as a freelance writer. In this one-day bootcamp, I will teach you the fundamentals of how to successfully begin freelancing for a variety of publications including magazines, newspapers, websites, and other forms of paid writing and editing work.

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