Memoir

Upcoming classes: Memoir


Julia Scheeres

 

 

 

SUNDAY, JULY 16  |  This seminar could also be called Everything You Wanted to Know About Memoir But Were Afraid to Ask. We will discuss the elements that go into a successful memoir, including dramatic storytelling, tension, vivid characters, and clear sense of direction.

We will review the basic building blocks of storytelling – scene, summary and musing, and how to navigate the places where memory fails you. We discuss issues that arise from writing about living people. We will also address the publishing business, including how to increase your chances of finding an agent and getting published.

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Rachel Howard

 

 

 

SATURDAY, JULY 29  |  Why do some memoirs take off from the first page, while others stall out before the end of chapter one? More importantly: How can you make sure the memoir you’re writing gets all the necessary gears lined up on those all-important first five pages?

In this combination craft lecture and trouble-shooting workshop, you’ll learn the three Cs of narrative engine: Character, Conflict, and Clock. What’s clock, you say? Glad you asked. It’s a simple but elusive element that’s crucial to your story’s drive—but many memoir writers don’t realize their pages are missing it.

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Constance Hale

Constance Hale

 

 

 

SATURDAY, JULY 29  |  Six hours, 60 bucks, free bagels, buckets of grammar.  How can you resist? Grotto member Connie Hale will lead you through a series of hilarious exercises to perk up your writing in surprising ways. (We’ll use Sin and Syntax as our guide, but dip also into Vex, Hex, Smash, Smooch.) Writers will stretch new muscles, disabuse themselves of bad habits, and duke it out in a war of words. We’ll also talk about how to cultivate that most elusive of literary elements: the writer’s voice. This 1-day session is perfect for writers of fiction, nonfiction, and memoir who want to take their prose to the next level.

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Lindsey Crittenden

 

 

 

SATURDAYS, JULY 29—AUGUST 26 | This class is designed as a follow-up to Work in Progress Workshop. It is limited to students who have already taken the Work in Progress Workshop (or will have done so by end of July). Please do not sign up if you haven’t completed Work in Progress by the end of July, or if you haven’t written me to make sure this is a good fit for you. If you are looking to generate pages, my first class is the one for you.

This class focuses exclusively on the exchange and reading of your fiction or narrative nonfiction.

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Laura Fraser

Laura Fraser

 

 

 

SUNDAY, AUGUST 13  |  Michel de Montaigne, perhaps the father of the personal essay, wrote, “I have never seen no greater monster nor miracle than myself.” The personal essay has to identify the monster within us, and accomplish the miracle of transformation, through understanding and enlightenment. You have to track down the monster inside you, and worse, reveal it to the reader, and then describe how you set out to slay it. The transformation from monster to miracle is what makes your life interesting. A personal essay, above all, is not about you—it is about the story.

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