TUESDAYS, OCTOBER 29; NOVEMBER 5-19 | No matter how compelling the characters, dialogue, or action, great scenes need a sense of place that all too often gets short shrift. And when your subject is a place itself, the task is only more demanding. It’s easy to fall back on list-making when writing about place, and that’s a tool that can be used to great effect, but there are so many more approaches to be explored.
We’ll dive into great writing about place, and will look at—and utilize—specific techniques great writers use to capture the world around them. We’ll focus on writing about the real world, but will look at genres from essay to fiction, poetry, science fiction, and more. The class will emphasize writing that takes a specific place as its primary subject, but will also look at place as a way to set a scene in which some other element is of primary importance.
We’ll explore the use of place by writers like Joan Didion, Richard Powers, Annie Proulx, Iain Sinclair, and William Least Heat-Moon (among others), and engage in brief writing exercises in each session. We’ll also visit (virtually) with one of editors and/or writers from The Common (thecommononline.org), Amherst College’s literary magazine devoted to “our individual and collective sense of place.”
A freelance writer in San Francisco, Mark Wallace has reported from all over the world, writing for publications from The New York Times Magazine to The New Yorker, Wired, Salon, the Los Angeles Review of Books, The Sigh Press Literary Journal, the Philadelphia Independent, and many others.
Number of sessions: 4
Time: 5:45 pm – 7:45 pm
Dates: Tuesdays, October 29; November 5, 12, 19
Course fee: $249